Classic Comedy
October 3-26, 2019
The State Theater
2hrs 50mins
PG
Contented, kindly Mary Haines, a well-off woman living in 1930s New York City, is the envy of her friends, with a happy marriage, adorable children, and a comfortable home. Unfortunately, she is living in a fool’s paradise…
An immensely entertaining, comedic depiction of romantic rivalries, toxic friendships, and the myriad roles women play in society, The Women is juicy, wicked, and a feast for the eyes and ears!
Cast & Creative
DirectorErin Murray
Erin Murray
Erin Murray makes her Harlequin debut as director of The Women. Her recent credits include the Seattle premiere of Annie Baker’s John (ArtsWest), Jaclyn Backhaus’ You on the Moors Now (Seattle University), Scott Kaiser’s Shakespeare’s Other Women (Island Shakespeare Festival) and Bye Bye Birdie (Centerstage). Other credits include: Anne Washburn’s The Internationalist (Steppenwolf Garage), Suzanne Heathcote’s I Saw My Neighbor on the Train and I Didn’t Even Smile (Redtwist Theatre), and bilingual Shakespeare productions of The Taming of the Shrew/ La Fierecilla Domada and Twelfth Night/Duodecima Noche with Seattle Latinx Artist Ana Maria Campoy for Seattle Shakespeare Company’s statewide school tours. Education: MFA, Northwestern University; BA, Trinity College Dublin.
Bruce has designed, built, and painted sets for more than 300 productions, including Cymbeline, I Am My Own Wife, The Women,This Flat Earth,Baskerville,What the Constitution Means to Me,Ms. Holmes and Ms Watson – Apt 2B, Murder on the Orient Express, Where the Summit Meets the Stars, Our Town and Sanctuary City here at Harlequin, and currently serves as Harlequin’s Technical Director. His work has been seen on stages all across the South Sound and beyond; Capital Playhouse, Tacoma Musical Playhouse, Centerstage, and The Black Hills Playhouse (SD), among others. Bruce spends a fair amount of time in front of the curtains as well. Harlequin audiences may remember Bruce from Sweeney Todd (2024), and as Ernst Ludwig in Cabaret (2024), Mendel in Falsettos (2023), the Doctor in Tenderly, The Rosemary Clooney Musical (2021), the title role in Jesus Christ Superstar (2013), Aaron in First Date (2017), or Eddie in the Stardust series.
Darren Mills is the Resident Costume Designer for Harlequin Productions. Additional regional credits: La Cage Aux Folles and Angels In America (SPSCC), Equivocation (SMU), and Murder Ballad (Sidecountry Theater). NYC hairdressing credits: Broadway: Phantom, Mamma Mia!, The Music Man. Film: The Stepford Wives, War of the Worlds, Lonesome Jim, The Notorious Bettie Page. TV: The Sopranos.
Olivia (Cowlitz Indian Tribe) is the Resident Lighting Designer at Harlequin. Olivia graduated from Central Washington University with a BFA in Theater Design and Technology. She has also worked with Tacoma Opera, Theater Artists Olympia, Olympia Family Theater, Tacoma Arts Live, SMU, SPSCC, and Seattle Children’s Theater.
The Women(Choreographer/Fight Director/Dialect Coach)
Jessica WeaverMrs. Stephen Haines (Mary)
Jessica Weaver
Jess has her BA in theatre from Washington State, and her MFA in performance from Arizona State. Shortly after school, Jess married her husband who serves in the army and through that, has been able to perform, direct, and write for theatres all over the country. www.jessicaweaver.net
A Shakespeare girl at heart, Amanda is often seen on stage playing roles such as Beatrice in Much Ado About Nothing, Rosalind in As You Like It or Helena in A Midsummer Night’s Dream. When not on stage, you can see Amanda being featured in projects her friends create like the short films Tetrahedron or Burrito Bride, as well as supporting local businesses with commercials by the Thurston County United Way and Sophie’s Scoops. Amanda loves the arts in all fashions and is so very grateful to have the support of people like you who help make dream roles happen.
Heather is delighted to return to Harlequin Productions! Past Harlequin credits include The Women, Fun Home, Hedwig and the Angry Inch, Hundred Days, Cabaret, Sweeney Todd, A Christmas Carol, and Rent. Other favorite local roles include Bridget in Lizzie, Diane in Hurricane Diane, The Witch in Into the Woods and Diana in Next to Normal. They have also served as musical director and vocal coach for Lakewood Playhouse, SPSCC, Olympia Family Theater, Standing Room Only Productions, and Olympia High School. They spend most time outside of theater teaching music and playing piano, accordion, guitar, drums, clarinet, sax, and harp. IG: @hedderschmidt_arts
Teri happily returns to Harlequin after playing Jessie in Sweat, Chorus/Prince/Peter in Romeo and Juliet, Jacob Marley in A Christmas Carol 2024, Fraulein Schneider in Cabaret, Helga ten Dorp in Deathtrap, Ghost of Christmas Present/Fezziwig in A Christmas Carol 2023, and Countess de Lage in The Women. She recently played Miss Lynch in Village Theatre’s Grease, Maud/Lin in Cloud 9 at Tucson’s Rogue Theatre, and Taproot Theatre roles in Babette’s Feast, As It Is In Heaven, Black Coffee, and The Wickhams: Christmas at Pemberley. Diverse stage credits span five decades in Shakespeare, classics, new plays and musicals at Village Theatre, Taproot, Seattle G&S, Seattle Children’s Theatre, Seattle Shakespeare, Seattle Musical Theatre, Driftwood Players, SecondStory Rep, Woodinville Rep, Theatre Off Jackson, ACTLab, Bathhouse, Intiman, eSe Teatro, New City, Texas Shakespeare, Montana Shakespeare, Oregon Repertory, Oregon Cabaret, and Rogue Theatre Tucson.
Eleise is delighted to return to Harlequin and Miscast!, which she Emceed in 2019. Previous Harlequin roles include The Complete Works of William Shakespeare (Abridged), Every Brilliant Thing, Fun Home, and Baskerville. While not acting or giving civics lessons to school kids, Eleise likes to find incredible food and quiet campfires wherever she can.
Kimberlee is thrilled to be a part of this production and back at Harlequin, where she was in POTUS in 2025 and The Women in 2019. She was last seen as Rosaline with Animal Fire Theatre. Other theatres she has worked with in the Washington area are SPSCC Theatre Collective, Centerstage, Greenstage, Driftwood, OFT, Seattle Public Theatre, and As If Theatre. Some favorite roles in other regions are Agnes in Bug with Seenosun Productions, DC and Lady M. in Macbeth with RTA in NY. Thank you to the entire cast and crew!
Members of the cast of The Women share details about their characters' relationships and reveal a few moments they would add to the script if they could!