To Kill a Mockingbird

Aaron has worked in Seattle for Village Theatre, Taproot Theatre, Book-It Repertory Theatre, and Seattle Shakespeare Company and has worked regionally throughout the country. Aaron was awarded a Seattle Critics (Footlight) Award for his work as Lord Goring in An Ideal Husband at Taproot Theatre, the Memphis Critics (Ostrander) Award for Best Actor for his work as Jerry in The Full Monty at Playhouse on the Square, a Kennedy Center award for Best Actor for his work as Samuel Coleridge in Grasmere, and an OC Weekly Award for his work as Peck in How I Learned to Drive. Aaron holds an MFA in acting from California State University, Fullerton, and a BA from Washington State University.

Ann studied theater at Lewis & Clark College and the American Academy of Dramatic Arts.

Walayn has performed on many Seattle stages including Intiman, ACT, Book-It, Greenstage, Seattle Musical Theater, Lyric Light Opera, ReAct, and Second Story Rep, among others. Some favorite roles include Ann in Well (Footlight Award), Daisy in Driving Miss Daisy, Sonya in Sixteen Wounded, Blanch in Mother in Another Language, Madam Arcati in Blithe Spirit, Nat in Rabbit Hole, and Dottie in Noises Off. A retired teacher, she now works as a standardized patient at the UW, melding her teaching and acting skills to provide students with “real life,” practical experiences.

Scott C. Brown is thrilled to return to Harlequin. He’s worked with most of the South Sound theatres, and favorite roles include Mark Rothko in Red (SecondStory Rep); Salieri in Amadeus, RP McMurphy in One Flew Over the Cuckoo’s Nest (Lakewood Playhouse); Lennie in Of Mice And Men (Stagedoor Productions); Father Flynn in Doubt (Gold From Straw); Bobby in the world premiere of Sins of the Mother, and Sheriff Heck Tate in To Kill a Mockingbird (Harlequin Productions). Film work includes: Depth, The Hollow One, A Bit of Bad Luck, and Scrapper, and was in the final season of SyFy’s Z Nation. He has also been seen in local, regional and national commercials, and been heard in audio books, commercials, and other Voice Acting work. Scott received his theater degree from Western Oregon State College. My thanks to wonderful and talented cast, and also to crew/staff for all the support.

Selected Seattle credits: Romaine in Witness for the Prosecution (Centerstage), Janet in The Realization of Emily Linder (Taproot), The Governess in The Turn of the Screw (Centerstage), Diana in Diana of Dobson’s (Taproot), Madeline Rousseau in Border Songs (Book-It), Tracy Lord in The Philadelphia Story (BPA).  A former Fulbright Scholar, Ms. Harvester holds a B.A. in Drama from Vassar College and an M.A. from the Boris Shchukin State Theater Institute in Moscow, Russia.

Favorite roles elsewhere include Edmund in King Lear, El Gallo in The Fantasticks (Electric City Theatre), Charlie in The Foreigner, Hines in The Pajama Game (Abbey Players), Kenickie in Grease, Arthur in Camelot (Summer Showcase), Jesus in Godspell (May Carol Theatre Productions), Mr. Peachum in The Threepenny Opera (Capitol Playhouse), Mr. Nobody and the Tooth Fairy in Good Night Moon, Geppetto in Pinocchio (Olympia Family Theater) and Shylock in The Merchant of Venice (Theater Artists Olympia).