Aaron has worked in Seattle for Village Theatre, Taproot Theatre, Book-It Repertory Theatre, and Seattle Shakespeare Company and has worked regionally throughout the country. Aaron was awarded a Seattle Critics (Footlight) Award for his work as Lord Goring in An Ideal Husband at Taproot Theatre, the Memphis Critics (Ostrander) Award for Best Actor for his work as Jerry in The Full Monty at Playhouse on the Square, a Kennedy Center award for Best Actor for his work as Samuel Coleridge in Grasmere, and an OC Weekly Award for his work as Peck in How I Learned to Drive. Aaron holds an MFA in acting from California State University, Fullerton, and a BA from Washington State University.
In 15 seasons and 40 shows at Harlequin:
A Bright Room Called Day (Gottfried Swetts, Director, Sound Design) A Christmas Carol (Player 6 (Fred, others), Director, Player 4) A Doll's House (Director) August: Osage County (Director) Cabaret (Director) Cat on a Hot Tin Roof (Brick) Deathtrap (Director) Dr. Jekyll & Mr. Hyde (Dr. Jekyll) Enchanted April (Mellersh Wilson) Every Brilliant Thing (Director) Falsettos (Musical Director, Piano and Synth) Five Women Wearing the Same Dress (Director) Hedda Gabler (Director) Hedwig and the Angry Inch (Director) Hundred Days (Director) I Am My Own Wife (Director) Love and Information (Director) Man of La Mancha (Director) Mating Dance of the Werewolf (Ken) Middletown (Director) Noises Off (Frederick Fellowes) Philadelphia Story (Macaulay Connor) Present Laughter (Garry Essendine) Ruthless (Director / Music Director, Piano 1) Sherlock Holmes and the Case of the Christmas Carol (Director) Sweeney Todd (Director) The 1940s Radio Hour (Director / Music Director, Piano) The 39 Steps (Richard Hannay) The Highest Tide (Director) The Language Archive (George) The Last Five Years (Jamie Wellerstein / Piano, Musical Director) This Flat Earth (Director) Three Days of Rain (Director) Time Stands Still (Director) To Kill a Mockingbird (Atticus Finch)